During my residency in Moks, Centre for art and social practice, Mooste, Estonia this year I did some drawings.
Arts practice research processes, performances and artworks by interdisciplinary, movement-based artist/curator/choreographer Maria Kerin
Maria Kerin(-Walsh), artist curator choregrapher.
My movement-based arts practice provokes and informs a translocal artist-curatorial and choreographic practice, manifesting into peer to peer networks and systems to support collaborations presently in Ireland, Estonia and Sweden, in an interdisciplinary practice without borders.
I am particularly interested in deep listening, sensing time and opening up memories through awareness/presence as an embodied creativity process and ethical inquiry, informed through somatic principles that supports my practice concerned with our relationships with nature and consciousness. For example see blog page 'Post domestic: The future is the forest". Work with Kristina Kvamme, Sweden, since August 2019, in her walking practice that links through image and text live online on Fridays nourishes this. Ongoing explorations with Rachel Sweeney through Articulating Thresholds expands this inquiry.
Since 2018 I've been working on translocal, transdisciplinary collaborations in experimental heritage, with Professor Bodil Petersson of Linneaus University and members of Experimental Heritage network Sweden. This has led to us forming Karum-Creevagh, a group of artists, archaeologists and ecologists from Ireland and Sweden, concerned with our future.
See www.experimentalheritage.com for a detailed archive.
See Outrider Artists.wix.com for more info on local rural networks and cross-cultural sharing.
For other online images, see my kind partner Michael Walsh's documentation of my work:
https://issuu.com/michaelwalsh/docs/10_days_embodied_creative_process_d
https://issuu.com/michaelwalsh/docs/future_domestic_2013_visual_diary
https://www.youtube.com/watch?v=TSYpxRfzKp0&t=4s
Should you wish to contact me for more information please text 00353877711033 or email: kerinmaria@gmail.com
Monday, September 26, 2011
The bridle broke
Nervous Around Horses proved to be a very challenging piece to install. The Vets office had some difficulties with it - the challenges of showing work in a public space takes all parties involved to be open to it. However, miscommunications led to the work being lost in the politics. Im grateful however to the Pets shop for hosting it with such welcome.
The Pet Shop, Skibereen
The Pet Shop, Skibereen
Liquid -Vedelik come to Ennistymon
The Estonian based art group came to Ennistymon this August for a week to partake in the Power of Local, a cultural festival.
"Pink Wall, Parliment Street, Ennistymon" was the final intervention orchestrated by myself with everyone present invited to make a huge map of the art links, naming the places we are all linked to through our art projects.
Throughout the weekend the shared sense of creativity buzzed and filled our hearts. I showed my performance piece on video "Raadi airport" that was made in Tartu, 2010.
Michael Walsh created an installation in a disused shop, using
100 empty flour bags that he had previously designed for a flour company in Estonia.
"Pink Wall, Parliment Street, Ennistymon" was the final intervention orchestrated by myself with everyone present invited to make a huge map of the art links, naming the places we are all linked to through our art projects.
Throughout the weekend the shared sense of creativity buzzed and filled our hearts. I showed my performance piece on video "Raadi airport" that was made in Tartu, 2010.
Michael Walsh created an installation in a disused shop, using
100 empty flour bags that he had previously designed for a flour company in Estonia.
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